Recording Companies

von Martin Hossbach

Staubgold

What is your name?

Markus Detmer.

What is the full name of your label? Do you have any other or sub-labels?

Staubgold, no sub-labels.

Why did you choose this name? Does it mean anything? Does it have any relation to the music you release?

The German word »Staubgold« is composed of »Staub« (= dust) and »Gold« (= the metal ›gold‹). So it means something like ›dust gold‹ which I find refers very much to the music released on the label which is experimental, non-mainstream music of all kinds. If you dig deep enough, you will be rewarded with the gold hidden under a dusty surface.

Are you still happy with the name? Do you sometimes want to change it?

Absolutely happy. It couldn’t be better.

Is it really important for a label to have a name and to put it on the back of a record when most people are mainly interested in the artist/the music?

If you promote a lot of rather unknown artists like I do, the reputation of the label can help gaining publicity for those artists. Moreover a label very often stands for a distinguished sound. So ideally the name on the back of a record can give the buyer an idea of the sound and quality inside.

What other names of record labels do you like?

Lovely Records. A-Musik.

www.staubgold.com

Full Time Hobby

What is your name?

Nigel Adams.

What is the full name of your label? Do you have any sub-labels?

Full Time Hobby (we also have a rock / punk label called Hassle).

Why did you choose this name? Does it mean anything? Does it have any relation to the music you release?

We only release music that we are truly inspired by and love – music is the first consideration and we love being involved with the music and musicians on our roster so much that it does feel like a full time hobby, not a job.

Are you still happy with the name? Do you sometimes want to change it?

No, perfectly happy. It describes the basic reasons we got involved with music and if a time comes that the name doesn’t fit then we probably shouldn’t be doing this.

Is it really important for a label to have a name and to put it on the back of a record when most people are mainly interested in the artist/the music?

I still think it’s very important. Personally I came to see a label as a friend whose taste you liked, with a good record label you could always be sure that there would be something interesting coming up and it’s similar to that word of mouth filter that is so important in spreading awareness for new, inspiring and worthwhile music. As choice increases with the continuing development of the internet, filters become even more important, be that a magazine, a record label or a concert promoter.

What other names of record labels do you like?

Man’s Ruin, Bella Union, Arts & Crafts, In The Red

www.fulltimehobby.co.uk

Drag City Incorporated

What is your name?

»Drag City« – oh, you mean my name? I’m Rian Murphy. Do you need my position, too? I’m head of staff / head of sales / first mate at your service!

What is the full name of your label? Do you have any other or sub-labels?

»Drag City Incorporated« is the name. We’ve also manufactured and distributed titles for »Palace Records«, »Sea Note«, »Dexter’s Cigar«, »Moikai«, »Blue Chopsticks«, »Streamline«, »Quakebasket«, »Yaala Yaala«, »Twos & Fews«, »Galactic Zoo Disks« and »Yoga Records«.

Why did you choose this name? Does it mean anything? Does it have any relation to the music you release?

»Drag City« seemed like a phrase that added up to a good name – it had already been used for the name of a song and the name of an album, it implied something from the past, but it could also be retrofitted with ironic, erotic overtones. The ability to free-associate new meanings to the name was good, and it had a certain immediacy, so… why do you ask?

Are you still happy with the name? Do you sometimes want to change it?

Yes, still happy. After all this time, it means something different than it did when we started, something indefinable in and of itself.

Is it really important for a label to have a name and to put it on the back of a record when most people are mainly interested in the artist/the music?

Yes – it gets us sweet interviews like these!

What other names of record labels do you like?

»Apple« is a good one. »Verve«. »Elektra«. »Epic«. »SST«. »Harvest«. »Dischord«. »Uni«. »Blue Thumb«. »Corwood Industries«. »Track«. »Def Jam«. »Ecstatic Peace«. »Blue Note«. »Dead Oceans«. »Virgin«. »International Artists«. »Dangerhouse«. »Ipecac«. »Dial«. »Kill Rock Stars«. »Rough Trade«. »Impulse!«. »K«. »Yazoo«. »Monument«. »Radar«. »Contemporary«. »Siltbreeze«. »Holy Mountain«. »Amphetamine Reptile«. »Sublime Frequencies«. »Sea Note«. »Finder’s Keepers«. »Dunhill«. »Southern Lord«. »Ode«. »Warp«. »Stax«. »Ardent«. »Touch«. »United Dairies«. These are some names we like, not always labels we like. We could go on all night, but you get the idea…

www.dragcity.com

K

What is your name?

Calvin Johnson.

What is the full name of your label? Do you have any other or sub-labels?

We are »K«. There is no other label here, except »K«. We do distribute other local labels through the K Mail Order Dept. like »Knw-Yr-Own«, »Crunks Not Dead«, »Ick Ick«, »Electricity/Lust«, »Endless Latino«, »People in a Position to Know«, there are so many labels around here.

Why did you choose this name? Does it mean anything? Does it have any relation to the music you release?

Unknown.

Are you still happy with the name? Do you sometimes want to change it?

Given the opportunity to start over, it would be easier to have a name that is more than one letter in length. Such names tend to get lost in the shuffle.

Is it really important for a label to have a name and to put it on the back of a record when most people are mainly interested in the artist/the music?

Yes.

What other names of record labels do you like?

»Ick Ick«, »Brown Interior Music«, »P.W. Elverum & Sun«, »Knw-Yr-Own«.

www.krecs.com

Greco-Roman International

What is your name?

Alexander Waldron a.k.a. Full Nelson.

What is the full name of your label? Do you have any other or sub-labels?

Greco-Roman International.

Greco-Roman is also a secret party that takes place in random cities around the world. And Greco-Roman Soundsystem is the name of our festival DJ squad. There are no sub-labels yet but we did have an idea for one based on Pakistani desert wrestling.

Why did you choose this name? Does it mean anything? Does it have any relation to the music you release?

Greco-Roman is an olympic form of wrestling. The name first came when Joe Hot Chip and I DJ’d together as we thought we were engaged in one long, sweaty, slightly boring, homoerotic grapple. For our parties and our records we always encourage the DJs and musicians to experiment and fuse together different types of music, so we refer to the singles as ›Sonic Wrestling Matches‹.

Are you still happy with the name? Do you sometimes want to change it?

Of course. But I do wish people would spell it right!

Is it really important for a label to have a name and to put it on the back of a record when most people are mainly interested in the artist/the music?

Anyone can release their own music themselves these days which is very liberating but it does mean that there is loads of shit music available. Just go on Beatport for proof. You should see the record label as a stamp of approval, and the acknowledgement that a group of people who know how to present music properly are involved. By that I mean people who find, nurture, mix and master music and commission remixes, artwork, photos and videos that suit the artist. Releasing music used to be an art form in itself, and Greco-Roman is very old-fashioned about its approach to making singles. We are like those little shops in Paris which have two old men making shoes by hand at the back. Except our shoes have basslines.

What other names of record labels do you like?

»Def Jam«, »Barely Breaking Even (BBE)«, »Accidental«, »Rough Trade«, »Marketing«.

www.myspace.com/grecoromanmusic

Carpark / Paw Tracks

What is your name?

Todd Hyman.

What is the full name of your label? Do you have any other or sub-labels?

There are three labels: »Carpark«, »Acute« and »Paw Tracks«.

Why did you choose these names? Do they mean anything? Do they have any relation to the music you release?

I chose »Carpark« because I liked the way it looked on paper, the way it sounded, and the fact that it was an English word but didn’t mean anything in America. Hence a bit of exoticism and formalism rolled into one 7-letter-word. Though many people mistakenly separate it into two words.

»Acute« is a label I help run with Dan Selzer. He came up with the name so I can’t help you on that one.

»Paw Tracks« is a label I run with Animal Collective. They chose the name »Paw Tracks«. I think they liked how it was a combination of animal and musical terms, i.e. ›paw‹ = animal and ›tracks‹ is either the tracks of a paw or the tracks on a record.

Are you still happy with the names? Do you sometimes want to change them?

I think the label names have stood the test of time and I wouldn’t have them any other way.

Is it really important for a label to have a name and to put it on the back of a record when most people are mainly interested in the artist/the music?

Record labels are pretty useless these days from a typical music fan’s point of view. To a serious or obsessive music fan maybe it matters. The concept of a record label mattered more before the internet… but we might as well keep the tradition alive, I say. No point in putting in all the hard work and spending all the money on a release and not getting even a little credit! Egos need to be fed etc.

I used to care about lots of indie record labels when I was younger but now as you said they don’t really seem as relevant anymore. The playing field has been leveled. People care mostly about artists and a good song. Social networking and the internet connect individuals directly to artists and songs. Labels are necessary only for all the behind-the-scenes-work.

What other names of record labels do you like?

»Slumberland«, »Motown«, »Amphetamine Reptile«, Bad Vugum«, »Slamdek«, »Kompakt«, »Sarah«.

www.carparkrecords.com

www.paw-tracks.com

Digital Hardcore Recordings / Geist Records / Eat Your Heart Out Records

What is your name?

My name is Alec Empire and I have been involved in over 100 productions, run my own labels but have also released many records on other labels including major record companies.

What are the full names of your labels?

»Digital Hardcore Recordings«, »Geist Records«, »Eat Your Heart Out Records«.

Why did you choose these name/s? Do they mean anything? Do they have any relation to the music you release?

I chose these names in order to create platforms on which new and different music styles could be developed by the artists including myself. The names pushed me and other musicians into new directions, like it was ok to go further when releasing records there. A name can present an opportunity to become creative.

»Digital Hardcore« was always special because the label name was used as a genre definition by journalists after it became clear that no other label had or will ever produce similar sounding records. We used to master all releases at Abbey Road Studios in London to achieve a unique sound, create a label identity this way.

While the name »Geist Records« describes a more complex, intellectual sound, »Eat Your Heart Out« had to be less defined… I wanted a name that made people curious instead of explaining exactly what they’d get. This allows me more artistic freedom.

Are you still happy with the names? Do you sometimes want to change them?

I still like the names. If I felt a name was putting my music in the wrong spotlight or limit me in any way, I’d just create a new one. Generally speaking I never ›produce‹ for a label and adapt to its image. My music always comes first. If it fits a label, fine… An example: When I re-issued the albums from »Mille Plateaux« on »Geist« a while ago, they would not have fit »Digital Hardcore«.

People, especially critics, create groups in their minds, so they understand things better. When we stand in the forest we see the individual trees, when we climb a mountain and look down, we see one forest. Our brain does the same when we listen to music.

The lines can blur but each piece of music is seen in the context of the label and artist it is released by. The artist needs to be aware of that.

Is it really important for a label to have a name and to put it on the back of a record when most people are mainly interested in the artist/the music?

It varies and depends on the music genre. In electronic music the label name is often more important than the artist name. So it is essential. A label name can create a strong bond between music/artist and people/listener. This is where I see the key role of labels, the business structure of the past century will be less important in the future. It will be about helping the artist to present the strongest selection of music pieces to an audience and linking him/her with other artists (this can include film directors, visual design artists, producers etc). Setting up distribution is less interesting these days.

Each music fan chooses his/her music differently. Following release plans, observing the various steps a label takes can be exciting to many music fans while others just want a song they like (which in my opinion is simple minded and doesn’t show great interest in music and requires no real taste.)

What other names of record labels do you like?

In the very beginning »Mute Records« must have sounded cool to people because of its meaning. I was too young to witness it though. »Two Tone« is a great name with a strong identity that still lives on. »Blue Note« is also very strong and tells the idea well. »Sugarhill« still resonates when I read it. »Alchemy« because I just like it…

Ovum Recordings

What is your name?

Matt Brookman.

What is the full name of your label? Do you have any sub-labels?

»Ovum Recordings«, no sub-labels.

Why did you choose this name? Does it mean anything? Does it have any relation to the music you release?

»Ovum« was chosen by the label’s founders, Josh Wink and King Britt, and they decided the name because the ovum is the beginning of life.  We look at the label as a place to establish new artists and sounds and thus the meaning still holds true today.

Are you still happy with the name? Do you sometimes want to change it?

Yes, still happy with the name!

Is it really important for a label to have a name and to put it on the back of a record when most people are mainly interested in the artist/the music?

I think it is important for a label to have a name because I feel that over time people will associate with the label as much as the artist on the record.  I feel that we have established in the 15 years of doing the label that »Ovum« may not necessarily associate with one particular sound or trend, but rather quality music.  We hope that people know that if they buy an »Ovum« release that they can expect a quality release.

What other names of record labels do you like?

»Pokerflat«, »M-nus«, »Soma«, »Warp«, »Mute«, »Def Jam«, »PIAS«, »XL«, »Innervisions«, »Playhouse«, »Ed Banger«.

www.ovum-rec.com

Fierce Panda Records

What is your name?

Simon Williams.

What is the full name of your label? Do you have any sub-labels?

The name of the label is »Fierce Panda Records«. In the past we have had sub-labels called »Rabid Badger« and »Livid Meerkat«. Currently various enthusiastic people in our office run their own labels called »Yoyo Acapulco«, »Cool For Cats» and »Label Fandango«.

Why did you choose this name? Does it mean anything? Does it have any relation to the music you release?

I chose Fierce Panda because a) I like pandas, b) they aren’t fierce and c) because we were only ever going to release one single and retire in 1994 we thought it didn’t matter how stupid the label name was. Sixteen years and almost 230 singles later I’ve kind of been made to look a little bit silly. As a name I guess Fierce Panda is a bit knockabout, a bit cheeky, and that’s the sort of spirit we like to convey, even if some of the musicians are deadly serious.

Are you still happy with the name/s? Do you sometimes want to change it?

It is what it is. I never thought it would be around for 16 weeks, let alone 16 years, so we might as well stick with it. Not least because as we get older and the bands get younger I know we are really close to signing a band who weren’t even born when we first started. Besides which, a few years ago we had a deal with Universal UK and we set up a brand new label called »Temptation«. The name was perfect, the logo was perfect, the vibe was perfect… everything was perfect apart from the fact that we didn’t sell any records and the name was buried under a pile of returns. Now nobody remembers »Temptation« but »Fierce Panda« is part of the lexicon of alternative labels. I bet.

Is it really important for a label to have a name and to put it on the back of a record when most people are mainly interested in the artist/the music?

I think there about 500 people out there who are obsessed with small labels. Then there are a few thousand more who care deeply about the likes of »Domino« and »Warp« and »Rough Trade« and »Sub Pop«. And then beyond that I don’t think people care if it’s on »Wichita« or »Warner Records«. So traditionally the smaller labels have always played a crucial role in introducing bands to that crucial first 500 – 1500 fans. Now, sadly, in the era of illegal downloads an entire generation of freeloaders have no idea what a record company is, which means either our task is more important than ever before or we are becoming increasingly irrelevant. Come back to me in a year’s time and I’ll decide which it is.

What other names of record labels do you like?

Well, as a young man I liked record companies called »Waap!«, »Kitchenware« and »Sarah Records«, and none of them had really great names either, which I think says something…

www.fiercepanda.co.uk

Acute Records

What is your name?

Dan Selzer.

What is the full name of your label? Do you have any other or sub-labels?

»Acute Records«, which itself is a sub-label of »Carpark Records«, along with »Paw Tracks«. I have a hypothetical sub-label called »Obtuse Records« that may never exist.

Why did you choose this name? Does it mean anything? Does it have any relation to the music you release?

I chose the name for a few reasons. Primarily, it was a reference to one of my favorite records, »Private Plane / International« by Thomas Leer, self-released on his own »Oblique« label. I was thinking ›acute‹ was the opposite of ›oblique‹. Only after the first few releases did it occur to me I was probably thinking of ›obtuse‹. ›Oblique‹ is another way to define and angle in any case. Secondarily, I thought if we used ›ACT‹ for the catalog numbers, it would sound like »FAC« or »FACT«. We had to change that to »ACU« at some point anyway, which doesn’t have any resonance. Beyond the Leer tribute, I think it sort of implies some common qualities of many of our releases, which tend to be sharp, jagged post-punky type musics, which I always find myself lazily describing as ›angular‹ in press material.

Are you still happy with the name? Do you sometimes want to change it?

I am mostly happy. I don’t like that when tell people about »Acute Records« it sounds like I’m saying »a cute records« so I’m always spelling it out for people. I also thought that starting with ›Ac‹ would get us near the top of the »Forced Exposure« catalog listings, but now I realize I’d have to have named it »Aaaaacute Records«, or »+1Acute Records«.

Is it really important for a label to have a name and to put it on the back of a record when most people are mainly interested in the artist / the music?

Not always, but as a purchaser of music, the label often has helped describe the sound, and if not, at least stood as some sort of tastemaker. I’d like to think that »Acute’s« releases don’t all sound the same, but that there’s enough vague similar qualities that a fan of one release would think it worth checking out another.

What other names of record labels do you like?

»Oblique«, »Obscure«, »Regular«, »Fetish«, »Fast Product«, »Pop:Aural«, »Object Music«, «Factory«, »Les Disques du Crépuscule«…

acuterecords.com/blog/